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One
could say that all that tends to rise is good, all that tends
to sink is bad, parodying Orwells well-known Animal
Farm.
Light
is life, shade is death.
The
sun, greatest source of light was, for ancient populations, the
eye of God; for the Egyptians it was Ra, God
personified. On the contrary, volcanoes, crater lakes, eroded
abysses or obscure valleys were the entrance to the kingdom of
darkness.
Mountains,
strangely shaped rocks, giant trees were seen as the home or a
symbol of a divinity and they stimulated the collective imagination.
Black misery, uncertainty in what tomorrow would bring, incursions,
abuse from the powerful, fat ignorance of the phenomena and natures
tricks did the rest; inducing the population to evade and find
solace in imagination, in order to redeem an otherwise repressed
or unrecognised human dignity from within.
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The
Greeks had placed their multitudinous and lazy empire
of Gods on the inaccessible mount Olympus.
Zeus
alone was generally active and dynamic, especially when it came
to lifting petticoats. A decisive character since
birth, he used to strangle serpents while still in his crib. And
his wet nurse had to be a kind of Sophia Loren to the third degree;
if it was true that the voracious child stopped suckling in order
to admire his nurse as a whole, then he managed to fill half the
skies in no time!
Having
grown up with the stuff of a leader, the great Zeus could not
bear flies around his nose. When someone, mortal or not, would
dare to raise their head, they were fatally subjected to his anger.
Seeing as the white lupara (shotgun) still did not
exist, he would turn to the good help of his brothers, they also
being no saints. Poseidon used to settle his brothers disputes
at sea using his trident. For disputes on land, Zeus would strike,
with his own hand, the sharp bolts which an obliging Ephesto made
for him, while waiting for the more effective missiles to come
along. For marital arguments and jealousies, Zeus used blander
remedies, transforming his concubines into trees or fresh water
springs, or even constellations.
Not
having any better alternative, the Romans reduced the height and
number of this population of deities, modestly placing their Olympus
on the Palatine hill; their step measured to fit their leg!
The
Hebrews estimated their Paradise on Earth to be on a plateau and
they made Noahs Ark shore up on Mount Ararat.
The
Christians transferred their Paradise to the heights of heaven.
It goes without saying that for the pagans, at first, and the
Christians, later, Averno, or Kingdom of the dead, or Hell could
only be underground.
Dante
himself, when deciding to undertake the longest tourist sightseeing
route in history, had to begin it downhill
The
Nordic Druids used to celebrate myths and rites in the great forests
of sacred oaks; cutting mistletoe from the oldest trees with golden
sickles. The Australian Aborigines still worship the spirits of
their ancestors in the shade and caves of Ayers Rock, the massive,
squat, red, sandstone monolith in the central desert.
In
a Californian park one can admire the General Sherman,
a giant 83 metre sequoia, whose trunks circumference, at
its base, is around 31 metres; on the slopes of our mount Cecita
one can see the most beautiful pine tree in Italy
rise above the rest, elegant and alone and with its own plaque.
Von
Platen, translated by Carducci, supports the treasure of Alarico,
buried in the Busentino area; some decades ago archaeological
digs to find it were begun without success.
In
his Racconti di Aspromonte (Stories from Aspromonte),
Francesco Perri refers to Pietracappa, a flat rock at the top
of mount Benestare, which allegedly resounds at night with lugubrious
laments emitted by Malco, who hit Christ and was condemned to
repeat the same insane gesture against the rock for all of Eternity.
If so, by now he will have become used to it! Other of our homeland
writers tell of great treasures buried on the Reventino, a mountain
north of Nicastro.
Also
our mount S. Andrea hid other treasures, according to the tales
of my grandparents
and, according to them, there were no
isolated, tall trees on our mountains that had not been a mute
witness to furtive, nocturnal burials of bandits treasures
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The
retrieval of these treasures was overly arduous, subject to tenebrous
hours, to solitary action, and often tied to awful, satanic rites.
Any reference to place, were ever more vague without the knowledge
of high levels of trigonometry: so many steps here or there along
the vector which joined one rock tip with a shadow of a diabolical
gnome, cast by the marking tree at precisely midnight of a full
moon which coincided with an equinox!
If
one happened to meet a live soul during the journey then it would
be necessary to retrace ones steps back home because the
chance had been missed and it was necessary to await the next
astral coincidence
If all went well there was the danger
of encountering the remains of he who buried the treasure, buried
by the owner of the treasure in order to avoid him or his ghost
being tempted.
If
one was caught by dawn, yet again the whole thing was invalidated
and one would only find a large pile of leaves, as Manzoni put
it!
And
who knows of which treasures I myself have been deprived of when,
forty years ago, one night a century old bay-oak was nearly dug
up in my reserve near the Toccas house!
On
another occasion, in a runcatina near Castanìa,
fire devoured the arburu a schiocca the areas
giant tree whose trunk was empty and full of debris. Everyone
cried: Who knows how much gold burnt in there! , one
of our proverbs goes A troja magra, agghianda si nsonna.
At
the tip of the nearby Camillari Tower, there is the Piano
delle Fate (the fairies plain); it would be interesting
to carry out an investigation on the history of the plains
name as it clearly has its roots in legend.
To
the south of Strano, before pyromania became fashionable, there
used to be on old oak wood in the solitary Ginestra reserve about
which there was a legend with sure Carolingian roots: there used
to be a hen with golden chicks, one could often hear them but
rarely see them! The most shady legend relates to a strange sandstone
rock, a similar shape to Rio de Janeiros Sugar loaf mountain,
and situated above the left bank of the Amusa river, behind Cucùzzari.
On
the cliff side it is eroded in different places, some parts curiously
overlapping. The old people of my area swear that these patches
were the footsteps of Beelzebub, who climbed there to bury treasures
after having opportunely sliced it, emptied it and furnished it
with a water resistant escape passage!
With
the intelligence of adulthood, I think I have understood a few
things: even in hell there must be untrustworthy people, if the
devil had to come to us in order to bury his treasure; that todays
iconography of the devil as a huge goat is wrong, he must look
like some kind of big footed Bud Spencer; that he prefers a sixth
level alpine scaling grade, if he preferred the cliff on the oriental
side of the rock which is accessible also to common mortals. A
living hunter once told me that he had climbed all the way up
there and that he had truly seen the shadow of a trap door in
the rock with a ring in its middle, but it could, on the other
hand, be some kind of trigonometric symbol.
As
far as the recovery of the treasure is concerned, it is best not
to even think of it! Climbing up there at midnight; sacrificing
on the spot an innocent animal; communicating
with a horned goat; along with the right astral positions and
in solitude
according to the recipe
Our banks become
useless by paragon, and one can forget using thermal lances or
being afraid of security forces, paura guarda vigna, no
sipala!
Finally,
last year I learnt that the same legend existed in another locality;
maybe it is an omnipresent legend: evidently the devil is a thrifty
saver and believes in storing his treasures in more than one place
Above
Orsini, on a hill called Caporale: not a very high place, around
600 metres; easily accessible without athletic training or diabolical
arts.
The
trigonometric spot in this case coincided with the light cast
by the saintly candles of the church of Campoli, lighted for certain
novenas.
This
time the safe treasures were about to be taken when a donkey happened
to interfere: they must really understand each other among black
beasts!
An
old lady who lived in the area had decided to try her luck, according
to professor Ierace.
She
wrapped herself up and armed herself appropriately and began to
quietly make her way to the spot.
Suddenly
among small bumps and sounds, a black shadow cast itself across
her path amidst a loud sound of pounding hooves: the watchdog
demon if not the devil in person, ready to stop the intruder!
But
before the scream broke forth unstoppably, a human voice broke
the enchantment:
Cummari
Caia, ca vui a chistura? Chi succcdju? (what are you
doing here? At this late hour?)
Ah
cumpari Semproniu, mi facistuvu mu patu u schiantu
onaju uràriu scumpidu
e crìju ca mi
nda votu
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And
having recaptured his four legged friend, who had escaped his
stall to go and eat grass or for thirst of freedom, the compare
returned to Ursini. The old lady, having broken her solitary clause,
had also to return home postponing the dark rites to another time.
Roles
and rites which every now and then are remembered and retried!
Myths
and legends by our homeland
by Vincenzo Franco
Corriere
di Caulonia - June 1988
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