... Saint Ilarione's
Day (Part II)
The
competitions consisted of: “pignatte” (a sort of pot), sack races,
the “cuccagna”tree (the tree of abundance),
donkey races and unfailingly, the “carrette” (handcarts). These
were personally built by each
participant. They consisted of a well shaped slab of wood to which
a well stuffed cushion for seat
was added as well as wooden wheels (made by a good carpenter). Ball
bearings were added to the
wheels before they were attached to the axles (the posterior axle
was fixed, the anterior axle rotated
on a central pivot; the whole contraption was manoeuvred round corners
by using reins). Breaks
were not usually applied: to slow down one used to use one’s feet,
with a certain ability, and at
the finish line the cart was stopped by a load of sand.
The various competitions
During the days before the festivities, the traffic
wardens allowed training competitions (the course ran from the “piano Baglio” to “piazza Seggio”); but
once the real competition was over it was no longer possible to parade with the handcarts. They
were put into a deposit until the next year or used at other times, by pulling it by its reins, in
order to transport sacks or heavy luggage.
For technical reasons, this competition took place
the day before the festivities; only the Caulonians could compete because that was the only way to keep
the streets clear enough for the handcarts to race through.
On the next day (i.e. Friday) the streets and squares
would begin to fill up with various kinds of pedlars coming from the furthest villages, not only
Gioiosa and Siderno.
The livestock fair also took place during these days
(farmers, then, could not do without donkeys), pigs were slaughtered, and their meat was consumed
during the days surrounding the Festivities.
The church was sumptuously decorated, the streets of
the village were brightly and beautifully lit (as still happens today), and two stages were set up (one
in “Piazza Seggio” and the other in “Piazza Mese”) so that the bands and orchestras could perform.
In one memorable festivity during the thirties, a parade
of allegorical wagons was organized.
The central square was always packed out so that it
was difficult even just to move on the festive days of Saturday and Sunday (the October festivity
is always organised for the third Sunday, even if the day doesn’t happen to be the twenty-first).
The entire population, decked out in new clothes, would
walk around the village to buy some toys, dried fruit, regional specialities or to test their
luck at the three cards table or at dice.
The many foreigners (from seaside resorts such as Roccella
Ionica) would be intent on negotiating the price of and acquiring provisions for the winter
such as fruit, oil, pulses, wheat and flour.
After the procession, there would be a fireworks display
and within two or three hours the square would be empty.
What is left today
Of all this, only the things that are in tune with
the times remain; this (I think) does the Caulonians honour if one stops to think about the strange and
often barbaric customs still firmly in place during the main festivities, year after year, in many villages
of Calabria.
Here in Caulonia there are no longer any gambling tables;
there is no livestock fair (the farmers all have tractors and delivery trucks); the mountain villagers
no longer come down to sell walnuts and chestnuts and the better living conditions have eliminated
any form of barter.
However, pork is still cooked in the traditional ways
(“frittole”, and sausages) and sold. The square is made merry by the children’s animators, the merry-go-rounds,
the swings, other amusements and sweets and toy stalls.
The handcart and donkey competitions are no longer
held, but the importance of the festivity has not diminished. The quantity of work still rises for the
traders, shopkeepers and artisans during the festivities also due to the increased circulation of
money in the village.
Nothing has changed in the religious demonstrations;
the only difference is that the procession is no longer escorted by the “pistonari” (arquebusiers),
who used to carry their old contraptions and shoot loud shots (“pistuni”) in preordained places.
The last shots used to be sent directly onto the walls
of the church after the saint had been taken inside.
This last custom was abolished, twenty years ago, after
the wounding of one of the arquebusiers. Today, most people think it time to reinstate the custom
with the arquebusiers’ arms without bullets as precaution. This because many of the owners sold
their arms to antique dealers after their abolishment from the procession.
On the Saturday morning, after mass, the statue and
the relic begin the procession. Most of the children don’t go to school but prepare to go to the
convent. At about a kilometre from the last house in the village, there is a “Calvario” (a small temple
only used on the days of Saint Ilarione).
The statue is brought there and, from there, much of
the procession heads for the cemetery, about three hundred metres further on, for a dutiful visit
to their dead.
From the “Calvario” the relic is carried to the convent
on foot by the priest and is accompanied by many faithful people of the procession, some of them
bare foot as a vote). About mid morning a mass is held in the convent’s chapel where a prestigious
painting of Saint Ilarione and the bones of Beato Pietro (a converted ruffian who wished to end
his life in the hermitage) are kept.
In the afternoon the Saint’s arm is taken to the church
of San Nicola where the adoration and another mass are held. In the evening there is a return
to the convent where the Office for the Dead is held.
Among those who decide to stay for the wake, some help
collect scrap wood which is placed under one of the olive trees radiated in the wall of the
convent. This is then set on fire. Miraculously, the next day the olive tree is fresher and greener than
before.
Meanwhile, at the “Calvario”, many other people also
prepare for the wake, singing litanies and reciting rosaries in honour of the Saint.
The next morning the relic arrives at San Nicola and
is placed on the altar until the time comes to put it away, usually, after the eleven o’clock mass,
which is always as full of people as the Easter mass or that of All Saints Day.
The octave is celebrated on the following Sunday.
The statue of the Saint is carried by a procession
through the main streets of the village.
During the Sixties it was proposed to carry the statue
also to the fraction of Marina di Caulonia, passing through Focà; this initiative was discarded
because there was a risk of ruining the precious sacred image.
This year it was decided to bear the relic with the
arm to Marina di Caulonia.
Thus it has been a well measured festivity this year,
with ample space for religious sentiment and without excluding the civil demonstrations.
The brass band of Città di Guardavalle (which has one
of our citizens, Giulio Daniele qualified trombonist at the Conservatorio di Reggio Calabria
, as one of its soloists) walked round the streets of Caulonia Marina on Friday the sixteenth of October,
and then playing with great success on stage at Caulonia Superiore. On the same stage, on the night
of Sunday the eighteenth of October, the Toni Ranieri band also played. During the festivity
of 1965, the latter, as they well remember, won the festival organised in Caulonia in honour of Saint
Ilarione’s Day, also attended by Lello Fiore. On the evenings of the seventeenth, eighteenth and twenty-fifth
of October (in occasion of the octave) the Catalano firm (of San Nicola di Caulonia) sponsored
the spectacular fireworks display, of which the one on Saturday the seventeenth was held at Marina
during the procession of the relic.
This procession in particular, was a really felt one,
and it showed, if there was any need at all, that the motive for great demonstrations lies undoubtedly
in religion.
Men and women from every social class participated
with order and enthusiasm in the procession bearing the Saint’s relic; I personally joined in,
not without emotion, with the chorus led by Ilarione Roccisano. Each procession was accompanied by the brass
band of Città di Caulonia, while the relic was carried in turn by each of the various priests:
the archpriest Don vincenzo Maiolo, and the parish priests Don Mimmo Lamberto and Don Pasquale
Arnò. Every time the band paused to get their breath back, the chorus sang at the top of their
lungs the chant called “Evviva Ilarione”.
The old lady of Sesto San Giovanni
Such a heartfelt procession recalls to my memory another
one in which I participated in 1978.
I was in Sesto San Giovanni (in the province of Milan)
on the day of the Corpus Domini. Here, the parish of San Giuseppe had organised a procession which
would take the “Santissimo” (most holy) from the church to the civil hospital.
At the crossroads with Via Fratelli Bandiera a young
couple (the girl was very pretty) were sitting on the sidewalk kissing, quite oblivious to the religious
goings on.
A little old lady left the line of participants and
forcefully told the couple off saying: “Sta passando il Santissimo Sacramento, alzatevi!” (“The most holy sacrament
is passing you, get up!”).
Reprimanded by the old lady, the couple rose to their
feet immediately, walking respectfully and silently for the rest of the procession.
The moral values of Christianity are what most tie
us together, and which we are absolutely unable to give up. Let us defend those values with the same
resoluteness shown by the old lady if we don’t want to risk letting paganism, whose only virtues were
force in war and the supremacy of riches, arise again.
La
festa di Sant'Ilarione by
Orazio di Landro
Corriere
di Caulonia - Novembre 1987
Translated
by A. C. R. Mazza
Thanks
to Luigi Briglia
for his splendid photography
Top